© Noughts and Crosses
KNOW MORE ABOUT THE DESIGNERS:
Taj Theog is a 90-key, luxury resort that sits on a cliff on the periphery of Theog, a remote Himalayan town in the northern Indian state of Himachal Pradesh. The project marks the Taj Hotels’ first hospitality venture in Himachal Pradesh and had a clear mandate to marry the region’s rich cultural heritage with world-class amenities to offer guests a service-oriented environment with a profound local connect. Studio Lotus was brought on board by Pradeep Sachdeva Design Associates (PSDA), the architects on the project, to design its public spaces with the aim of bringing in the distinct warmth and intimacy of a mountain home to the hospitality experience.
Consisted of the brief, the studio has employed a light material palette of locally-sourced timber and stone to create a quiet and restrained spatial experience. Handcrafted elements from the vernacular lexicon are contemporized and incorporated to evoke traditional spatial gestures associated with hospitality and home-like warmth.
For instance, the prime showcase for this approach, the hotel lobby, features rows of timber spindles suspended on metal screens to recreate the welcoming gesture of Himachali homes in a modern format, as well as to break the large expanse of space into smaller, intimate pockets. The scale of the space is further modulated through the use of locally-sourced pinewood and slate, as well as intricate geometric patterns in the tiles and wooden paneling, both of which add visual density to the interiors.
The resort, spread across three levels, comprises zones characterized by specific elements to create a distinct identity. For instance, local slate and Budhpura stone are used within the all-day dining space to create a muted foil for the panoramic views of the Theog valley. In contrast, the wide floor span and low-hung roof of the bar are utilized to create a train carriage-like atmosphere, inspired by colonial-era railway dining cars. For the specialty restaurant, the sculptural expression of the wall cladding draws inspiration from Asian influences as well as the traditions of earthenware in the region.